11/15/2022 0 Comments Kelly and pling![]() The play's brief life was later described by Melnick's son as "not his favorite moment in history," but nonetheless one he wore with grace. Congratulations, Miss Logan," and continued to describe what he saw as a production for which there were "ample critical, if not legal, grounds for an injunction," lampooning the legal wrangling that had gone on about the production. In his review in The New York Times, critic Howard Taubman opened by noting that "Ella Logan was written out of Kelly before it reached the Broadhurst Theater Saturday night. While the judge urged that the parties pursue arbitration, lawyers representing Charlap and Lawrence were threatening to sue for damages that had been caused through "unauthorized changes, omissions and additions" made to the musical. Charlap and Lawrence were so upset with changes that they filed suit in New York Supreme Court seeking an injunction to prevent the play from opening. There had been increasing arguments between the producers and writers, with Susskind complaining that the authors were unwilling to make changes per the recommendations of the investors. Industry representatives quoted in The New York Times stated they "could not recall any other Broadway musical representing such a comparable expenditure that became a casualty so quickly." Costs had ballooned to $650,000, with the biggest loser being Levine, followed by Melnick and Susskind, who had invested a total of $150,000. The show's logo, which featured on posters and playbills (and, much later, on the LP and CD covers) was designed by French-born illustrator Tomi Ungerer, who was then (and remains) best known for his children's picture books. Scenic design was by Oliver Smith, costume design by Freddy Wittop, and lighting design by Tharon Musser. The cast included Wilfrid Brambell, Don Francks, Anita Gillette, Mickey Shaughnessy, Eileen Rodgers, and Jesse White. ĭirected and choreographed by Herbert Ross, the musical began previews at the Broadhurst Theatre on Februand opened (and closed) on February 6 after seven previews and one performance. ![]() #Kelly and pling series#Pre-Broadway promotion for the show included an event on the Brooklyn Bridge with a series of chorus girls. While Kelly was in tryouts, roles played by Ella Logan, Jack Creley, and Avery Schreiber were cut by show doctors Leonard Stern and Mel Brooks. īefore its Broadway opening, the show was presented for three weeks in Philadelphia and half a week in Boston. The sponsors acquired the motion picture rights by placing a down payment of $500, with the ultimate cost rising to a maximum of $650,000 based on a percentage of ticket sales for each of the show's profitable weeks. Levine financed $250,000 of the $400,000 budget, with the balance coming from Columbia Records and six other investors. īy April of that year, the show had been taken up by new producers, David Susskind, Daniel Melnick, and Joseph E. Rehearsals were scheduled to start on 27 January 1964, with a Broadway opening planned for March. Lindsey Anderson was engaged as the show's director. ![]() ![]() Impressionist Frank Gorshin and film actor Richard Harris were both considered for the lead male role, while Moose Charlap's wife, pop singer Sandy Stewart, was considered for the lead female role. At this early stage, a number of actors were named as possible leads. Toward the end of 1963, it was reported that the budget had been set at $350,000, with $100,000 to be invested by Roulette Records. Lawrence further recalls that "we ran into some producers who said they'd been waiting for this show all their lives and wanted to present it on Broadway." The show's original producer was Broadway stalwart Edward Padula (in association with January Productions), whose deal included a motion picture adaptation. It was a labour of love." At that early stage, the show was titled Never Go There Anymore. During the afternoons, we worked on Kelly. #Kelly and pling tv#Of the show's origins, Eddie Lawrence, lyricist and librettist, recalled that: "Moose Charlap had finished doing his songs for Peter Pan, starring Mary Martin, and a couple of one-acts of mine were being performed while I toured late night TV plugging my comedy album. Inspired by the 1880s tale of Brooklyn Bridge-jumper Steve Brodie, the musical features period characters Diamond Jim Brady, Frank and Jesse James, Tony Pastor, Lillian Russell and John L. ![]()
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